Mourning the Loss of Identity
I didn’t want to work in a cubicle building stuffy, boring computer software all day long…I wanted-needed- to build, create, let my mind free and imagine worlds and people and events that stimulated my imagination.
Learning the Chords
We can’t create a page turner without knowledge of plot and structure. We can’t make readers cry without knowledge of characters and character bonding. We can’t make readers so immersed by our fictional world that they ignore the pot of boiling water and the pets with full bladders begging to be let out unless we have a mastery of plot, structure, characters, description, setting, dialogue, and every other tool in the box.
Are our bookshelves going the way of the CD case and should we worry?
We’re not looking at an extinction here. Everything evolves, including the art of storytelling. Writers can either put themselves on or ahead of this evolutionary change or they can be left behind. There will never cease to be a market for storytelling, the only thing that changes is the medium through which the story is told.
People have real flaws so why don’t characters?
What all of this means is that readers will put the book down if they don’t identify with, sympathize with, or want to be like, characters in the book. If the reader has no emotional investment in any of the people in the book, then they don’t give a crap about what happens to your protagonist. They won’t want to see the antagonist get his (or hers) in the end. They won’t care whether the love interest blossoms into a relationship. They simply won’t care – no matter how good the plot is. You can have a fantastic plot driven by flat, unbelievable, caricatures (not characters).
3 Illegal Acts That Will Ruin a Scene
Acts against Motivation, Acts against Rules, Acts against Soul – If a character in your scene does any of these things, it will jar the reader out of the book and possibly convince them never to return.